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Sequencing is Fulcrum Arts’ online transmedia publishing platform, providing a space for critical conversations and expressions at the convergence of art, science, and social change.
Sequencing is made possible with the generous support of the National Endowment for the Arts, the Andy Warhol Foundation for the Visual Arts, and the Wilhelm Family Foundation.
At his Los Angeles studio, the artist Channing Hansen graciously hosted Fulcrum Arts curator Patrick J. Reed for a conversation about wool, the cosmos, weird topography (and more!), and how these elements come together in his complex, labor-intensive knitted artworks. (Image: The Wilkinson Microwave Anisotropy Probe heat map of temperature fluctuations in the cosmic microwave background. NASA / WMAP Science Team.)
The artist and musician Mo H. Zareei joined curator Patrick J. Reed to discuss formative creative influences and “audio-visually confrontational works” that have the power to elicit raw emotion.
(Photograph by Ted Whitaker.)
Fulcrum Arts’ Curator, Patrick J. Reed, went to Ars Electronica, where he met the Miami-based, Colombian composer and sound artist Alba Triana, and learned about the essence of everything. This installment marks the first in a series of profiles on artists working with vibration and the ways in which it shapes our world.
The following story unfolds with a cadence all its own. It rewards the curious yet meets the overeager with a measured wait and see.
Always the question remains as to why a publication is important. The answer is basic to this thing named Sequencing.
The tide line is a soft transition. Where capital meets the sea, it creates brittle structures, likely to shatter. The ocean’s edges may not be as fluid as they seem.
Inside this, another animal grows, then another, another. Eventually there are hundreds of thousands.
04/19/2018 i move back to Seoul during the season of Yellow Dust. my infrared camera begins glitching like the shaman herself
An NFT offers a generic something: some thing, neither here nor there, which exists in order to escape being worthless (a born loser). It escapes to the address it is given, and its value is held precisely there.
Written as a kind of trip-report with a posthuman sensibility, Instance Terrain Spread describes experiences that would be incomprehensible in conventional spatial reality, but are easily understood when experienced in a virtual space.